Anteriormente he presentado materiales de este proyecto que comienza aproximadamente por el 2004 y publica en 2007 un compilado con distintos demos. Tras poco más de 10 años encuentro un sonido más acabado con respecto a los primeros lanzamientos, no sólo un mejor manejo de los instrumentos sino también parece que el proyecto ha alcanzado su sonido estándar. Vocem For Atonal Wave es el cuarto disco de larga duración de Deicida 69 (es un lanzamiento de dos volúmenes), los restantes discos que se encuentran en la red son colaboraciones en Split (Synesthesia & Improvised & Insane), un sencillo (Angalas) y apariciones en compilados de Brasil, Alemania y Argentina. 

A lo largo de más de 50 años la música popular experimentó un ciclo que en la actualidad se encuentra en retroceso.
El rock nace en el segundo tercio del siglo XX como un ejercicio de músicos independientes, emerge en un tiempo donde no existía la industria musical, donde se transfería de boca en boca. Sus semillas (diseminadas  en los campos de algodón por las víctimas del esclavismo, por los hombres de color cuando la piel justificaba la riqueza y la ruina), los cantos, los cantos de los peones en los campos de algodón. Los cantos no atendidos por el patrón y su escopeta, los cantos como mugidos de mulas, los cantos que los desheredados practicaban para comunicarse, para hablar de su día a día, para invitar al sexo por la noche, a beber en el hoyo, a escapar del campo de cosecha que era el campo de exterminio de los pobres.
De esos cantos nace el blues, el jazz, el rock. La música de los humanos hambrientos, de quien suda trabajando.
Llegó la industria musical. Creó el chiste del pobre que gracias a su talento trasciende su clase social convirtiéndose en el ser exitoso capaz de lograr lo que el trabajo de toda una vida en campo o en la fábrica no le hubiera podido otorgar. A ese chiste se le llamó Rock Star.
La imagen, las marcas, la fotografía, las mujeres, la profesionalidad, las discográficas, las salas de conciertos, los fans, y un largo etcétera sirvieron para romper el anonimato del rock. Se admiró a los rostros, se crearon personajes ridículos que durante décadas se entregaron a empresarios mentecatos obstinados  en demoler la roca que buscaba raspar las carreteras. Se entregaron como una prostituta para lograr grabar en estudio, publicar un disco, conseguir un concierto.
Esa cultura decadente del rock está hoy en retroceso. Los artistas independientes están matando la oxidada industria musical. Regresa el anonimato entre nuestras jubilosas carcajadas a los ídolos, a los aspirantes a ser manada, a los personajes que para nosotros son bufones, a las rebabas de ese latón inútil del que jóvenes tontos aún se aferran. Quedarán varados.
Regresa el anonimato y lanzaremos por los arcos la daga que en el futuro quemará la piel y con ella nos quemaremos también nosotros. Somos la generación de artistas más potente y productiva de los últimos 50 años.  Seguimos siendo minoría. No somos músicos. Nuestra técnica, la sinestesia. (Deicida 69, 2015)

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Earlier I submitted materials by Deicida 69, this proyect begins approximately in 2004 and published in 2007 a compilation of different demos. After 10 years I find a sound more finished with respect to the first releases, not only in the use of instruments also seems to that the project has reached its standard sound. Vocem For Atonal Wave is the fourth full-length album of Deicida 69 (it's a release of two volumes), the remaining disks that are in the network are collaborations in Split (Synesthesia, Improvised & Insane), a single (Angalas) and compilations appearances from Brazil, Germany and Argentina.
In general terms is uncommon for a Mexican project published in Brazil, for the idiosyncrasies of the country is more attractive for the musicians ("musician" by calling this somehow) published in the USA or Europe. In the case of Deicida 69 the intention is to stay nearby to the Latin-Space, there a admiration for Brazil, country and culture; Brazil is rising as the future latin potency and is the only latin country that has a significant and uninterrupted history in the underground rock since the 70s. It happens that in Mexico this is overlooked the country to be imbued with the EEUU-Music-Vision, even quite common to see many musicians in Mexico are a copy of USA or British groups. 
Expressed the above, it could ask the question as to why the draft treaty has many songs in english language?; this can be explained mainly by the facility that gives the metric of english language; to be fast speech can play with the joint simply turn the English language is universalized, it is the cosmopolitan language of communication. Summing; which the english language with which almost all letters due to practical aspects are made to be used in this project. 
In previous releases of this project was played initially with punk style and so-so after-punk (Sin Esperanza), then came more heterogeneous sounds like the industrial and electronics sounds with progressive and experimental sounds (Requiem); and the previous Lp to this publication was an savaje disk, black and spontaneous, sexy-sort of yellow Noise Punk the name: Fetish in Sight. 
"Vocem For Atonal Wave", is in my opinion the best material by Deicida 69. Respect to style, it continues to maintain the Punk and Experimental Rock, the Noise is reduced and to play with a jazz style, even the disc name is selected based on instigating this is music with “Atonic” intent (without specific recognition of one style and the constant violation of the rules of harmony which dictates the Orthodox Music). 

This album was released in three independent labels; in Europe it will be distributed by the label from France, NKS International Muzakillabel, which specializes almost entirely in extreme rock genres like Grind, Hardcore, Synth Punk, the Noise, Metal, Speedcore, etc. NKS has 30 years old, and is one of the references of underground and independent music, a seal for creative projects seeking sovereignty sounds. 

Another support for the launch is Plataforma Records, which have previously released several albums and Split's of Deicida 69. Platforma Records (also known as Platforma Recs) from Brazil and is managed by a sound artist named Max Chami (with artist name "Antoine Trauma"), a man of the old school experimentalist sound. Is very good.

Finally, the digital distribution free by the two previously mentioned seals and also by Ergô Felix Culpa (website blog), the Vocem For Atonal Wave is distributed by Cieliro Diystro anyone desiring a hard copy of the material (in CD release). Cieliro Diystro has its distribution site in Chile country. Usually throw a few copies, overreaching editions at very low cost, or at other times, given by way of gift to the people he considers appropriate for the sound project. 



EXPENTANCY: Post Punk, Experimental, Free Jazz

...released 10 May 2015  -Some voices and lyrics belong to poets...  -The remaining belong to the creator of Deicida 69.  -All play instruments by Deicida 69.  -All production was made by Deicida 69.  Am grateful to NKS International Muzakillabel & Plataforma Records by the support the album.

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Other Download Sites & All Discography by Deicida 69
Bandcamp (Miscellaneous formats, FLAC, WAV, Mp3, etc.) Jamendo (Miscellaneous formats, FLAC, WAV, Mp3, etc.) NKS International

FANPAGE

BANDCAMP

Jamendo

NKS International Muzakillabel

Plataforma Recs